In a  previous post I discussed the popularized event known as the KINDERMORD VON YPERN, where the German ‘student battalions’  rashly attacked en masse, supposedly singing Deutschland, Deutschland über alles, the first verse of Das Lied der Deutschen (“The Song of the Germans”), a rowdy Pan German song  favored by students in beer halls. Long after the Christian symbolism of the inspirational sacrifice of beloved youth had grown old, the song was still on everyone’s lips.

The words were written in 1841 by the linguist, poet and Pan-Germanist August Heinrich Hoffmann von Fallersleben (1798-1874) and set to the tune now known as Austria, composed by Franz Josef Haydn (1732– 1809) for the 1797 birthday party of Austrian Emperor Francis II (1768-1835), along with lyrics by Lorenz Leopold Haschka (1749–1827), and simply entitled Gott erhalte Franz den Kaiser (God Save Emperor Francis).

The rulers of the many German states of the day regarded Hoffmann von Fallersleben’s message as seditious as they were against unification, particularly a unification dominated by Prussia. Mischievously juxtaposing lyrics extolling Pan-Germanism to the tune of a paean to an absolute monarch was revolutionary satire, the song became symbolic of the March Revolutions of 1848, which were sparked by the overthrow of King Louis-Philippe of France, and repressed by a combination of force and guile.

For its entire 47 years of its history, the national anthem of the German Empire was Heil dir im Siegerkranz (“Hail to Thee wearing the Victor’s Wreath”), which had been the royal anthem of Prussia since 1795. Like Das Lied der Deutschen, it was also a borrowed work; the lyrics were written by Heinrich Harries (1762 – 1802), originally for the King of Denmark, and the melody was derived from the 1745 British national anthem “God Save the King” (composer unknown but likely English plainsong).

Never popular, after the downfall of the Empire it was quickly replaced by – you’re right, Das Lied der Deutschland, which the Weimar government retitled Deutschlandlied (“Song of Germany”) in 1922. This has remained a German national anthem ever since, except in East Germany (1949-90), whose anthem was Auferstanden aus Ruinen (“Risen from Ruins”).

From 1933 to 1945 the official national anthem was actually the Horst-Wessel-Lied (“Horst Wessel Song”),  also known by its opening words, Die Fahne hoch (“The Flag on High”), although the first verse of Deutschlandlied was often played or sung before it. As a result, since 1952 the first verse of Deutschlandlied is not sung at public performances in Germany. Also, after the Europen unionism movement took hold, the verse became politically incorrect, as the boundaries that were claimed for Germany by Hoffmann von Fallersleben in 1841 were the Meuse (in France and Belgium), the Nemen (in Lithuania), the Adige (in Italy) and the Belt (in Denmark).

Today the official anthem of Germany is just the third stanza, often called by the first line “Unity and justice and freedom, For the German fatherland!”

James (“Jim”) Patton BS BA MPA is a retired state official from Shawnee, Kansas and a frequent contributor to several WW1 e-publications, including "Roads to the Great War," "St. Mihiel Tripwire," "Over the Top" and "Medicine in the First World War." He has spent many hours walking the WW1 battlefields, and is also an authority on British regiments and a collector of their badges. An Army Engineer during the Vietnam War, he does work for the US World War 1 Centennial Commission and has memberships in the WW1 Historical Association, the Western Front Association, the Indian Military Historical Society and the Salonika Campaign Society.